Harry Potter In Real Life

.•¤ Harry Potter Looking for Platform 9 3/4 ¤•.
I usually say that from time to time the universe blesses us with fantastic gifts, one of them certainly was the Harry Potter series.
Those who had the pleasure, as I, of growing with this series have passed it forward as a legend to be told, but what makes this saga so special is the simple fact that it is not lost with time, the flames  lit by it never went out or slowed down since his birth.

Knowing that the youtube channel Imrpove Everywhere , known for making "Real Life" versions of big movie, launched on 11.19.2013 their version of "Real Life" Harry Potter, they put a little boy, much like Harry, in a train station asking people if they knew where was the entrance to the station 9 3/4.

What fascinates most in this video is the reaction of people, many of them are touched and almost all of them recognize the tip, with varied age group, almost all recognize the little wizard boy.

Watch and see:

Are attitudes like this that never leave a story die, and through it we can see how much people still love this saga.




Book Time: Key The Steampunk Vampire Girl.

                                               .•¤ Book Time ¤•.

After a little while missing (because of work) I'm back with a new section on my blog that is: Book Time, every time I find a book that catches my attention I will post here on Book Time, the book I chose this time is one that I has not yet finished reading, I'm just at the beginning of it, but I can say with certainty that it has won a place in my heart, the book is  Key The Steampunk Vampire Girl written by Becket, which by chance happens to be the personal assistant of my favorite author Anne Rice, and is also beautifully illustrated by Raven Quinn, who happens to be an amazing singer, Songwriter and designer.
Key had a very happy life on a farm — until her ninth birthday, when she lost her mom and dad, was changed into a vampire, and was ushered to the City of the Dead where she was thrown into the Dungeon of Despair. Key is now imprisoned for the rest of her immortal life in darkness, loneliness, and emptiness. But hope is not lost when Key is befriended by a ghost, a witch, and an immortal puppy. Through friendship, Key must learn that she herself is the key to freedom from Despair. Brought to life with the dazzling artwork of Raven Quinn, Becket - assistant to New York Times bestselling author Anne Rice - shares with you an enchanting world of vampire castles, glowing flowers, Crinomatics, and mostly dead Mystical Creatures.


Like I said, I have not finished reading this book but I wanted to share because I'm fascinated by it, the story is engaging and will not let you stop reading and I can assure you that you will find much more than what you was looking for with this book, as a fan of the genre Steampunk and youth and children's literature I find myself in this moment lost within this reading, I hope you will too.

You can purchase your copy at amazon site in both paperback version (they deliver worldwide) as the Kindle version.






















.•¤  Kindle Version ¤•.






















The Tell Tale Heart Narrated by Matthew Gray Gubler.

.•¤ The Tell - Tale Heart by Edgar Allan Poe Narrated by Matthew Gray Gubler ¤•.

For who does not know Matthew Gray Gubler is an actor and director who currently plays Dr. Spencer Reid in the CBS television series, the actor does not hide his fascination with the horror genre, claiming that his favorite holiday of the year is Halloween, he even has several characters designed by him based on that style that are made into shirts that are sold sporadically by him on his site.

On Halloween, October 31, Matthew posted on the website soundcloud a narration done by him of the famous text of horror master Edgar Allan Poe's "Tale Heart", the text tells the story of a man who denies his madness and who is determined to prove it to the reader, and even having murdered a man who never done him any harm, if you want to listen to is below.



Here's the transcript of the text:

THE TELL-TALE HEART
by Edgar Allan Poe
1843
TRUE! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses --not destroyed --not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily --how calmly I can tell you the whole story.
It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever.
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid the lantern cautiously-oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.
Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.
I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?"
I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall.
Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself --"It is nothing but the wind in the chimney --it is only a mouse crossing the floor," or "It is merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of my head within the room.
When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --until, at length a simple dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.
It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.
And have I not told you that what you mistake for madness is but over-acuteness of the sense? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.
But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eve. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! --do you mark me well I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the sound would be heard by a neighbour! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eve would trouble me no more.
If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.
I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye --not even his --could have detected any thing wrong. There was nothing to wash out --no stain of any kind --no blood-spot whatever. I had been too wary for that. A tub had caught all --ha! ha!
When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.
I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search --search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.
The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: --It continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears.
No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath --and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men --but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now --again! --hark! louder! louder! louder! louder!
"Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! here, here! --It is the beating of his hideous heart!"

Top 20 Songs For Halloween.

                     .•¤ My Top 20 Songs For Halloween ¤•.
As today is Halloween I decided to ride my playlist with my Top 20 Halloween songs, in other words songs to enjoy Halloween that I like, that list will be present both Western and Eastern music, yeah! I love oriental music too, without further ado follows the list.
Songs For Halloween



01. Raven Quinn - Ballerina In a Music Box.

02. Nightwish - The Phantom of The Opera.


03. Evanescence - Going Under.


04. Slipknot - Vermillion.


05. Marilyn Manson - Sweet Dreams.


06. The Rasmus - Guilty.


07. Amanda - Heavy.


08. Michael Jackson - Thriller.


09. Nightmare Before Christmas - This Is Halloween .


10. Robert Johnson - Me and The Devil Blues.


11. AC/DC- Highway To Hell.


12. Van Halen - Runnin' With The Devil.


13. Iron Maiden - The Number Of The BeastVan Halen.


14. Gremlins - The Carnival.


15. Nightmare - the WORLD.


16. VAMPS - Vampire Depression.


17. Halloween Junky Orchestra - Halloween Party.


18. the GazettE - Burial Applicant.


19. Acid Black Cherry - Sins.


20. Acid Black Cherry - Black Cherry.




Sandman The God Of Dreams.

                         .•¤ Halloween Special: Sandman ¤•.
For the first blog post I decided to talk about something related to Halloween, and the first thing that came to mind was "Sandman", so in this post I will try to tell a little about this historical figure who goes by many names and has been immortalized in several stories.


Before talking about Sandman himself, we will see a bit of his origin, Sandman is the God of Dreams, or Ruler Of Dreaming, he is a retraction of the famous Greek god Morpheus (In Greek Μορφεύς) son of Hypnos the Greek god of sleep, Morpheus has the ability to take any human form and appear in people dreams like the person loved by that particular individual.

Morpheus was mentioned in the works of Ovid's, Metamorphoses, as a god living in a bed made of ebony containing alkaloids with sedative effects and narcotics in a dark cave decorated as flowers, the Roman poet Ovid says in his work Metamorphoses that Morpheus is a son of Somnus and reports that he had a thousand brothers, like Morpheus, Phobetor and Phantasos being only the most prominent among them, while his brothers Phobetor and Phantasus are responsible for the dreams of animals and inanimate objects that appear in dreams Morpheus only deals with human elements.
Inadvertently, Morpheus revealed secrets to mortals through their dreams, and so was struck down by Zeus. From his name comes the name of the drug morphine, because of its properties that induces drowsiness and has similar effects to dream. And every night Morpheus comes to embrace us and make us dream, it is said that sleeping well is to be in the arms of Morpheus.



Based on Morpheus Greek stories and legends of the Anglo-Saxons emerged Sandman, which is one of the most famous characters portrayed in the comics and children's books, in the comics the most famous of them is the character created by Neil Gaiman for DC Comics.

However Neil Gaiman was not the first to portray Sandman, in Anglo-Saxon folklore Sandman ("man-sand") is a mythical figure linked to dreams and sleep. Originally cited in legends and fairy tales, the character was transformed into a super hero with cape and colored uniform in 1939. DC gave him a secret identity, feature typical of the genre: Wesley Dodds. Sandman would get a new version in 1974, with new powers, uniform and alter ego (Garrett Sanford, at first, and Hector Hall, later).

Without ignoring the old aspects of the character previously built (they were not "erased from existence", but reinstated), Briton Neil Gaiman has changed its course. The magazine "Sandman" which premiered in December 1988 brought a different character: more than a human costume or a superhero, Sandman was a kind of divine entity responsible for dreaming. There were six other creatures like him: the Endless, who are his brothers: Destiny, Death, Dream, Destruction, Desire, Despair and Delirium. In common, they have enormous powers and responsibilities - they are creatures whose actions influence the fate of the universe.


Dream is a noble hero, tragic, in the traditional style of the heroes of Greek tragedy. Sometimes he seems insensitive, other meditative or angry, but invariably melancholy.However his more rational side is always aware of his responsibilities, both to ordinary people, and for those of their land. Shares a reciprocal link of dependence and trust with his older sister, Death. Although obscure, perhaps because having to live with imagination and repressed desires of every living thing that liberate their minds in his kingdom, he strives vigorously to understand his own nature and the other Endless.


More recently we had a new character inspired by Sandman introduced in cinemas all over the world, and children's literature, this character was created by William Joyce and is part of a series of books entitled "Guardians of Childhood", Sandman is portrayed here as a friendly, smiling, little creature made of sand, , in this story the character is mute and communicates through his dreams and figures generated by your sand dreams.


Sandman is indeed one of the most recognizable characters in children's tales, in Brazil he goes by the name of "João Pestana" and puts sand in the eyes of the children during the night to have good dreams, there are two popular songs in Brazil on sandman, which are :

João Pestana,
João Pestana,
Faz dormir
O menino
Na cama!
(rima popular)
Já lá vem João Pestana
Pé ante pé voz que
não engana
Vem de longe já muito cansado
Pobre João, coitado
Faz ó, ó, Menino também
Faz ó, ó, que o soninho já vem
(canção de embalar)